2001 BA Fine Art (1st class honours), Central Saint Martin’s School of Art and Design, London
Singapore Pavilion, 56th Venice Biennale
Open Sea, presented by National Heritage Board (Singapore) in collaboration with Musée d’art contemporain de Lyon, Lyon, France
Moving Images, M+, Hong Kong
Prudential Singapore Eye, ArtScience Museum, Marina Bay Sands, Singapore
SEA STATE 8: SEABOOK, National Library Building, Singapore
SEA STATE 3: inversion, Future Perfect, Singapore
SAFE SEA presented as part of Singapore HeritageFest 2014, National Museum of Singapore, Singapore
Visions and Beyond, The 2nd Shenzhen Independent Animation Biennial, China
The Part In The Story Where A Part Becomes A Part Of Something Else,
Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
UNEARTHED, Singapore Art Museum, Singapore
In Search of Raffles’ Light, NX Gallery, NUS Museum, Singapore
Rendez-vous 13, Institut D’Art Contemporain, France
Dojima River Biennale, Osaka, Japan
SEA STATE 2: as evil disappears, Future Perfect, Singapore
The Singapore Show: Future Proof, Singapore Art Museum at 8Q, Singapore
Singapore Biennale – Open House 2011, Old Kallang Airport, Singapore
Biennale Cuvee – Weltauswahl der Gegenwartskunst, O.K. Centrum für Gegenwartskunst, Linz, Austria
Shanghai Biennale – Translocalmotion 2008 BARNACLE 1: “it’s not that I forgot, but rather I chose not to mention”, AIVA, Japan
MANIFESTA 7 European Biennial of Contemporary Art, Trentino, Italy
Islanded: Contemporary Art from New Zealand, Singapore and Taiwan, Adam Art Gallery, Wellington
“Singapore Open Nature”, NTT Inter Communication Center, Tokyo, Japan
“Space and Shadow”, Haus Der Kulturen Der Welt, Berlin, Germany
President’s Young Talents Award, Singapore Art Museum, Singapore
“Gravity: MAAP in Singapore”, Singapore Art Museum, Singapore
tsunamii.net Documenta 11, Binding Brewery, Kassel, Germany
“Cyberarts: Intersections of Art and Technology”, Earl Lu Gallery, LASALLE-SIA College of the Arts, Singapore
“Wait for Me”, Singapore Art Museum, Singapore 2002 “Lunar’s flow”, London Institute, Millbank, London, United Kingdom
The 2nd Seoul International Media Art Biennale, Media City Seoul, South Korea
“Nite-Lites”, Notting Hill Arts Club, London, United Kingdom
Essay Film Festival, organised by Birkbeck Institute for the Moving Image, London
Singapore Video Collection, Made in Asia Festival, Toulouse, France
International Film Festival Rotterdam Official selection
Tribeca Film Festival Official Selection Documentary Shorts Competition
Beijing Independent Film Festival
Nashville Film Festival Official Selection Experimental Shorts
Hong Kong Independent short film and video Awards (IFVA) Official selection in Asian New Force competition
Venice Film Festival Official selection in Orizzonti Competition
Dubai International Film Festival Official selection in Asia Africa
Collectif Jeune Cinema, France, Official selection
Edinburgh International Film Festival Official Selection
Tribeca Film Festival in Competition International Film Festival
Rotterdam Film Festival Official Selection
Singapore Short Cuts Official Selection
2014 Centre for Contemporary Art, artist-in-residency programme, Singapore
2012 Qwatz, artist-in-residency program, Rome
2011 Arts Creation Fund, National Arts Council Singapore
2007-08 SCAN artist in residence, Theatreworks, Singapore
2008 AIVA residency with Japan Foundation trails Japan
2007 Mentor for DASARTS BLOCK 20, Amsterdam, The Netherlands
2005 10th Anniversary TheatreWorks’ FLYING CIRCUS PROJECT, The Black Box, Fort Canning Centre, Singapore
2004 Switchmedia, Chiangmai, Thailand
2002 Resident Artist, New Media, Walker Art Center, Minneapolis, USA CCRI Resident Artist
1998 Singapore Sports Council, full scholarship to study fine art at Central Saint Martins College of Art and Design, London, United Kingdom
Bobbing Buoy Films Pte. Ltd
“Experimental Innovation Award”, Beijing
Independent Film Festival “Best Experimental Short”, Nashville Film Festival
“Silver Award”, Asian New Force Category, 17th IFVA Awards, Hong Kong
“Special Mention”, Venice Film Festival Official selection in Orizzonti Competition
President’s Young Talents Award
JCCI Arts Award
Cinematographer, “Singapore Country”, short documentary directed by Wee Li Lin for NLB’s Singapore Memory Project
Cinematographer, “Let’s talk about it”, commercial directed by Wee Li Lin and written by Haresh Sharma for KKH Hospital
Art Director, “Forever”, feature film directed by Wee Li Lin, supported by the MDA’s New Feature Film Fund
Cinematographer, “Under the Sun”, video installation/short film directed by Wee Li Lin and written by Jean Tay for National Arts Council’s Arts Creation Fund
Cinematographer, “Mother’s song”, short film directed by Zippy Kimundu and written by Wee Li Lin for NYU-Tisch Asia
Bentkowska-Kafel, A., Cashen, T., and Gardiner, H., Digital Visual Culture: Theory and Practice. Chicago: Intellect Books / University of Chicago Press, 2009.
Bright, Susan. Auto Focus – The Self Portrait in Contemporary Photography. Thames and Hudson, 2010.
Catching, Rebecca. “Translocal Motion Sickness: Shanghai Biennale Gone off the Rails?” in Contemporary Visual Art and Culture Broadsheet. Vol. 40.1, March 2011.
Ho, Rui An. “All the Lines Flow Out”, Cinémathéque Quarterly. Singapore: National Museum of Singapore, Oct-Dec 2012.
Lam, Jennifer Ka Yan, “CHARLES LIM, SEA STATE 2: AS EVIL DISAPPEARS”, LEAP 19, May 2013
Leanza, Beatrice (ed). THE HUMAN FACTOR – Rethinking Relationality (or the Artist as Bricoleur). Rome: Cura Books, 2012.
Mejía, Viviana. “All the lines Flow Out” in Contemporary Visual Art and Culture Broadsheet. Vol. 40.1, March 2011.
Merewether, Charles (ed). “SEA STATE 2: As Evil Disappears in “ISSUE: Land”. Annual Art Journal, Vol. 1, 2012.
Mettais, Valerie. Portraits. Palette Editions, France, 2012.
Mey, Vera, “SEEING SEA: CHARLES LIM”, LEAP, Issue 29, Sep-Oct 2014.
Rahardjo, Jessica Anne. “Conversation with Charles Lim” in “ISSUE: Land”. Annual Art Journal, Vol. 1, 2012.
Rae, Paul, “Charles Lim, SEA STATE 3: Inversion” (exhibition catalogue), Singapore: Future Perfect, 2014.
Singapore Art Museum. “alpha 3.8: tsunamii.net translocated”, 2003.
Tan, Guo-Liang. “Charles Lim” in Singapore Biennale 2011 Open House (exhibition catalogue).
Teh, David, “Charles Lim’s Informatic Naturalism: notes on SEA STATE 2” (exhibition catalogue), Singapore: Future Perfect, 2012.
Yao, Pauline J., “Close Up: Floating World”, artforum, April 2015
Singapore, 24 April 2014 – The National Arts Council (NAC) is pleased to announce the appointment of Singapore artist, Charles Lim and curator, Shabbir Hussain Mustafa, as the artistic team to represent Singapore at the 2015 Venice Biennale. Their proposal, SEA STATE, was the strongest out of the eight proposals NAC received.
2 Says Dr Eugene Tan, Director of the National Gallery, Singapore and Co-Chair of the Commissioning Panel, “After carefully reviewing the proposals that we received, the panel were convinced by the proposal of Charles and Mustafa, as well as their close artistic partnership. Their proposed exhibition will serve as a culmination of Charles’ on-going body of work, SEA STATE, which has been widely exhibited in various forms to critical acclaim. Exploring issues such as the environment, territorial borders and de-territorialisation, their proposal demonstrates how artists can speak to international audiences, such as the international art industry that congregates at the Venice Biennale, while engaging with issues that are specific and locally determined. Charles’ practice, together with his collaboration with Mustafa, ensures that Singapore’s representation at the Venice Biennale will possess the intellectual and artistic conditions for stimulating artistic discourse and interest in contemporary art practice in Singapore.”
3 SEA STATE looks at the notions of borders, histories and everyday life, and how these may be generated through our perceptions of the sea. Says curator, Shabbir Hussain Mustafa, “The Singapore Pavilion presents a wonderful opportunity for us to explore how Charles’ practice and his work, SEA STATE, will interact with ongoing debates in the global contemporary art world. Charles has already received critical acclaim for past works at international events such as Venice Film Festival in 2011; and prior to that at Documenta 11, as part of the net art collective tsunamii.net. In many ways, Singapore and Venice will meet through the sea itself, and we are keen to see how more of such discussions will be generated along the way as we develop and display the work.” Artist, Charles Lim, adds, “We are honoured to be chosen to represent Singapore for Venice Biennale 2015. Following the brilliant success of the last two Singapore representatives, I hope that our work, SEA STATE, will make a similar impact on international audiences, continue to show them the amazing work our artists are capable of, and give them a glimpse into the vibrancy of our artistic scene here in Singapore.”
4 The Commissioning Panel invited a pool of artists and curators to submit proposals for this project. This is in place of the open call process NAC used to conduct for the Singapore Pavilion. The Commissioning Panel will continue to mentor the selected team, and share their professional perspective and expertise, in preparation for the presentation in Venice.
5 The members of the Commissioning Panel include representatives from the arts community. Co-chaired by Ms Kathy Lai, CEO of NAC, and Dr Eugene Tan, Director of The National Gallery, Singapore, the panel comprises the following members:
Mr Ahmad Mashadi, Head, NUS Museum
Dr Charles Merewether, Visiting Professor, School of Art, Design and Media, Nanyang Technological University
Ms Emi Eu, Director, Singapore Tyler Print Institute
Ms June Yap, Independent Curator
Mr Randy Chan, Principal Architect, Zarch Collaboratives
Dr Susie Lingham, Director, Singapore Art Museum
6 Says Ms Kathy Lai, CEO, NAC and Co-Chair of the Commissioning Panel, “The Venice Biennale remains an important platform for Singapore’s visual artists to be represented as it is a premium international contemporary art event. We want to continue to raise Singapore’s profile as an emerging centre in Asia for artistic production and research, to enlarge opportunities for our artists to showcase their work, and to enable them to build international networks.” She adds, “I am excited about the artistic team the Panel has chosen and am looking forward to what they will bring to the presentation. I would like to thank the Commissioning Panel for their expertise and hard work over the past few months, and I am confident that the Singapore presentation at Venice Biennale 2015 will be an exciting and successful one.”